四川音乐学院学报《音乐探索》2025年第2期目录

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音乐文化研究与思考

——国家社科基金艺术学重大项目“新时代中国民族歌剧创作研究”专栏（续）

03 乔邦利/ 新中国成立初期民族歌剧表演的专业化建设成就

QIAO Bangli: Achievements in the Professionalization of National Opera Performance in the Early Years of the People’s Republic of China

10 钱庆利/ 板腔体思维对民族歌剧的历史贡献

QIAN Qingli: The Historical Impact of Banqiang Style Thinking on National Opera

18 戈晓毅/ 中国民族歌剧剧诗的杰出典范

       ——论《白毛女》剧诗的文学性、音乐性、戏剧性

GE Xiaoyi: An Outstanding Example of the Dramatic Poem in Chinese National Opera——On the Literary, Musical, and Theatrical Qualities of The White-Haired Girl

 

纪念中国抗战暨反法西斯战争胜利80周年及其音乐研究专栏（一）

26 冯长春/ 关于抗战音乐史研究的几点思考

FENG Changchun: Reflections on the Study of the Music History of the War of Resistance Against Japanese Aggression  

32 宫宏宇/ 中国抗战歌曲二战时在英国的传播

       ——以聂耳《义勇军进行曲》为中心

GONG Hongyu: The Dissemination of Songs from the War of Resistance Against Japanese Aggression in Britain during World War II——Focusing on Nie Er’s March of the Volunteers

42 李  莉/ 抗战音乐在广西的萌生与发展（1931—1937）

LI Li: The Emergence and Development of War of Resistance Against Japanese Aggression Music in Guangxi (1931–1937)

51汤斯惟/ 中国抗战大后方音乐文化遗产的发掘整理与活化利用研究

TANG Siwei: A Study on the Discovery, Organization, and Revitalization of the Musical Heritage of China’s Rear Areas during the War of Resistance Against Japanese Aggression

59 徐越北　洛　秦/ 抗战歌曲从中国走向西方（1938—1945）

        ——以英文版《中国抗战歌曲集》及《义勇军进行曲》在美国的传播为例

XU Yuebei & LUO Qin: Songs of the War of Resistance Against Japanese Aggression Traveling from China to the West (1938–1945)——A Case Study of the Dissemination of the English edition of The Chinese Anti-Japanese War Songbook and March of the Volunteers in the United States

 

音乐历史研究与阐释

——“《诺顿西方音乐史》研究与评论”专栏（续）

70 王丹丹/ 语境中的音乐体裁、音乐作品与作曲家修辞

      ——从霍平《中世纪音乐》的历史叙述视角出发的思考

WANG Dandan: Musical Genres, Works, and Composer Rhetoric in Context

——Reflections on Richard H. Hoppin’s Historical Narrative in Medieval Music

81 班丽霞/ 多维叙事的互补与张力

      ——评菲利普·唐斯风格史力作《古典音乐：海顿、莫扎特与贝多芬的时代》

BAN Lixia: The Complementarity and Tension of Multidimensional Narratives

——A Review of Philip G. Downs’s Stylistic-Historical Masterpiece Classical Music: The Era of Haydn, Mozart, and Beethoven

87 梁　晴/ 历史动力/诚实映现：摩根《二十世纪音乐》

LIANG Qing: Historical Dynamics and Honest Reflection——Robert P. Morgan’s  

Twentieth-Century Music: A History of Musical Style in Modern Europe and America

 

作曲理论研究与分析

97 觉  嘎/ 和声节奏刍议

JUE Ga: A Preliminary Discussion on Harmonic Rhythm

104 郑　中　杨维佳/ 基于SCIE/SSCI/A&HCI文献计量的21世纪AI作曲研究可视化图谱分析

ZHENG Zhong & YANG Weijia: A Visual Graph Analysis of 21st-Century AI Composition Research Based on Bibliometric Data from SCIE, SSCI, and A&HCI

115 丛密雨/ 题材与体裁的互文，意蕴与格律的共鸣

      ——徐孟东吉他协奏曲《丝路流韵》音乐分析

CONG Miyu: Intertextuality of Subject Matter and Form, Resonance of Meaning and Meter——A Musical Analysis of Xu Mengdong’s Guitar Concerto Silk Road

125 王瑞奇/歌剧《康定情歌》的特性化思维探究——兼及中国当代歌剧的表达与创作问题

WANG Ruiqi: An Exploration of Distinctive Thinking in the Opera Kangding Love Song——With Additional Discussion on Expression and Composition Issues in Contemporary Chinese Opera

134 孙冰洁/ 贾国平音乐创作中的“用典”探微——兼论《清调》（1998）

SUN Bingjie: A Preliminary Inquiry into the “Use of Allusions” in Jia Guoping’s Compositions——Along with a Discussion of Qing Diao (1998)

                  

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